Aural Exciter & Optical Big Bottom
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Since its introduction in 1975, close to a
million Aphex Aural Exciters have found their way into recording
studios and broadcast facilities, nightclubs and concert halls, arenas
and airports, musicians' and DJs' rigs and houses of worship. The Aural
Exciter's patented technology has been often imitated but never
duplicated.
Each of the Aural Exciter's two independent channels
feature Tune, Harmonics and Mix controls, enabling you to focus on
select frequencies just like on an EQ. But unlike an EQ, the Aural
Exciter's harmonic processing doesn't boost the signal's output level,
so it maintains a clear and balanced sound.
Traditional EQ
increases the output level of the targeted frequencies. Adding EQ to
boost selected frequencies typically results in a perceived loss of
other frequencies, which are then also boosted to compensate. The Aural
Exciter's patented technology harmonically brings out the desired
frequencies without adding gain. The result is audio that's more
balanced, more articulate and, simply put, better sounding.
Over
three decades of research, development and refinement have kept the
Aural Exciter at the cutting edge. The new Aural Exciter and Optical Big
Bottom features the same no-compromise audio quality Aphex is known
for, with the highest quality componentry and rugged, durable
construction to withstand the rigors of travel and constant use.
Aural Exciter:
For
more than 35 years, the Aural Exciter's patented technology has been
the audio professional's secret weapon, a powerful way to improve and
enhance sonic quality more naturally than with equalization. For
individual sounds or entire mixes, the Aural Exciter brings out detail,
clarity and imaging that elevates your sound without adding level. For
vocals and spoken dialog, it can dramatically increase intelligibility.
For individual instruments, it adds punch and presence. And on mixes, it
adds power, presence and sparkle. The Aural Exciter is the ideal
solution for breathing life into MP3s and other compressed audio files.
Optical Big Bottom:
The
Optical Big Bottom adds deep, powerful low-frequency punch, without the
unwanted level boost that comes from adding traditional EQ. Deeper,
more resonant bass response with tighter articulation helps to extend
low frequency power and spectrum without the build-up or driver-damaging
tendencies of bass EQ.
Features:
-Frequency Respons 10Hz - 38 kHz(± 0.5dB)
-Dynamic Range 120 dB
-Hum and Noise(unweighted 22Hz-22kHz) -93 dBu
-Crosstalk(10 Hz - 22kHz) -79 dB
-THD(10 Hz - 22kHz at max. output) .0003%
-IMD(10 Hz - 22kHz at max. output) .0007%