Digital Handheld Stage Microphone (Nickel)
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The Neumann KMS105D Digital Handheld
Stage Microphone is essentially the digital version of the analog
KMS105. The KMS105D employs professional grade A/D converters and AES
output protocol to enhance the KMS105 with even lower noise floor,
greater dynamic range and resistance to RFI noise. The microphone is
designed for crucial sound reinforcement applications. Its element and
output electronics deliver the results needed for professional vocal
capturing in concerts, presentations, broadcasts and more. The KMS105D
features a supercardioid polar pattern that is most effective in
minimizing off-axis noise and feedback in highly ambient environments.
High sound pressure handling eliminates noise and distortion while
capturing transients and peaking signal.
The KMS 104/104 plus and
the KMS 105 microphones have been developed to optimally transmit the
human voice with respect to the demanding conditions present on the live
stage.
The KMS series has become the internationally acknowledged standard for first-class stage microphones.
The
high acoustic resolution and smooth frequency response of the
microphones ensure that the musician has optimal control of the stage
performance at all times.
Especially due to their low self-noise
and crosstalk behavior which is free of coloration, the KMS microphones
are ideal for use with in-ear monitoring systems.
The KMS 104
and the KMS 104 plus have a condenser microphone capsule with a cardioid
directional characteristic which provides the best possible suppression
of sounds originating from behind the microphone. In contrast, with its
supercardioid characteristic the KMS 105 is particularly good at
suppressing sounds originating from the entire 180° hemisphere behind
the microphone. The KMS 104 plus features, compared to KMS 104, a more
extended bass frequency response. In close cooperation with professional
musicians, with the aid of extensive practical tests, the KMS 104 plus
has been especially optimized for the requirements of female voices in
the rock and pop field.
The user can thus select the version that is optimally suited to the specific application.
Features:
-Transducer DC-Polarized Pressure Gradient Condenser
-Polar Pattern Supercardioid
-Frequency Response 60Hz - 20kHz
-Sensitivity Free-field sensitivity: -47dBFS
-Preset - Sampling rates: 48 kHz
-Gain: 10 dB (variable with DMI-2)
-Compressor on, Attack time 100 ms, Release time 0.5 s,
-Threshold -10 dBFS, Ratio 2:1
-EIN CCIR: 27dB
-A-weighted: 78dB
-Signal-to-Noise Ratio CCIR: 67dB
-A-weighted: 78dB
-Dynamic Range 125dB
-Maximum Input Sound Level at 0 dBFS: 141 dBSPL