OPTIMOD-FM 8600Si
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Lebih Lengkap Mengenai OPTIMOD-FM 8600Si
Optimod-FM 8600 was a hit as soon as it 
was introduced. Compared to Orban’s previous flagship, the 8600’s 
dramatically improved “MX” peak limiter technology decreased distortion 
while increasing transient punch and high frequency power handling 
capacity. A significant number of broadcasters have asked us to make the
 8600’s sound available in a compact package at a lower price. Orban’s 
response is the 8600Si, which offers 8600-class sound in a single rack 
unit. An efficient, switching power supply ensures that the 8600Si runs 
cool even in a crowded rack. The 8600Si includes simultaneous processing
 for FM and for digital transmissions like netcasts, DAB+ and HD Radio. 
The
 8600Si provides stereo enhancement, equalization, AGC, multiband 
compression, low-IM peak limiting, stereo encoding, and composite 
limiting — everything that even the most competitive major market 
station needs to stand out on the dial. More than 20 excellent sounding,
 format specific factory presets get you started. You'll find all of 
your favorite 8500 presets, plus the 8600 "MX" presets designed by Bob 
Orban and Greg Ogonowski to exploit the exciting possibilities inherent 
in the 8600Si's peak limiter technology. Although the factory presets 
are fully competent "out of the box”. You can customize them with easy 
one-knob LESS-MORE control. Full Control gives you the versatility to 
customize your audio further. Orban’s Quick setup, which is a guided 
sequence of screens through the 8600Si‘s setup, is the easiest way to 
have your station On Air quickly.
 
Improved Peak Limiter Technology:
Dramatically
 improved peak limiter technology decreases distortion while increasing 
transient punch and high frequency power handling capacity. Compared to 
the FM-channel peak limiter in OPTIMOD-FM 8500, the new peak limiter 
typically provides 2.5 to 3 dB more power at high frequencies, which 
minimizes audible HF loss caused by pre-emphasis limiting. Drums and 
percussion cut through the mix. Highs are airy. "Problem material" that 
used to cause audible distortion is handled cleanly.  While this design 
offers about the same loudness as 8500 processing, its main goal is to 
make FM analog broadcasts more competitive with the cleanliness, punch, 
and open high frequencies of the digital media against which FM analog 
transmissions now battle. The FM loudness wars represent 20th-century 
thinking; in the 21st century, the new competition is digital media. 
Thanks to its fresh, crisp sound, the 8600Si helps level the playing 
field between analog FM and its ever more aggressive digital-only 
competitors.
 
Diversity Delay:
For Digital Radio 
broadcasters who prefer using a separate processor for the digital 
channel, the 8600Si's built-in delay (up to 16 seconds) in the analog 
processing path vastly improves installation versatility in HD Radio 
facilities, freeing you from the need to use the delay line built into 
the Digital Radio exciter. This allows you to use the 8600Si's built-in 
stereo encoder and composite limiter to drive the analog FM transmitter,
 ensuring no-compromise analog-channel loudness.
 
Independent Processing:
The
 8600Si’ HD (“Digital Radio”) output is designed to feed streaming, 
netcasting, and digital satellite or cable radio channels, which can be 
Eureka 147, DRM, DAB + or the iBiquity® HD Radio system (formerly known 
as “IBOC”—“In-Band On-Channel”) approved for use in the United States. 
The equalizer and five-band compressor/limiter in the digital processing
 chain have their own sets of user-adjustable audio controls that are 
independent of the controls in the FM analog transmission chain’s 
equalizer and five-band compressor/limiter. The bottom line? Processing 
that optimizes the sound of your FM channel while punching remarkably 
crisp, clean, CD-like audio through to your digital channel audience.
 
Loudness and True Peak control:
The
 digital radio and analog radio processing chains offer ITU-R BS.1770-3+
 Loudness Meters and Safety Limiters for use in countries that enforce a
 BS.1770 loudness limit on digital and/or analog radio broadcasts. 
The 8600Si implements “true peak control” in the HD processing chain by 
oversampling the HD peak limiter’s sidechain at 256 kHz. This allows the
 8600Si to prevent clipping in a playback device’s analog signal path by
 predicting and controlling the analog peak level follow the playback 
device’s reconstruction filter to an accuracy of better than 0.5 dB. For
 typical program material, accuracy is 0.2 dB. Without true peak 
control, analog clipping can occur even if all peak values of the 
digital samples are below 0 dBFS. This phenomenon has also been termed 
“0 dBFS+.” Thanks to true peak control, sample rate conversion, unless 
it removes high frequency program energy or introduces group delay 
distortion, cannot cause sample peaks to increase more than 0.5 dB.
Features:
-Frequency Response (Bypass Mode): Follows standard 50μs or 
75μs pre-emphasis curve ±0.10 dB, 2.0 Hz–15 kHz. Analog left/right 
output and digital output can be user-configured for flat or 
pre-emphasized output.
-Noise: Output noise floor will depend upon 
how much gain the processor is set for (Limit Drive, AGC Drive, Two-Band
 Drive, and/or Multi-Band Drive), gating level, equalization, noise 
reduction, etc. The dynamic range of the A/D Converter, which has a 
specified overload-to–noise ratio of 110 dB, primarily governs it. The 
dynamic range of the digital signal processing is 144 dB. 
-Total 
System Distortion (de-emphasized, 100% modulation): <0.01% THD, 20 
Hz–1 kHz, rising to <0.05% at 15 kHz. <0.02% SMPTE IM Distortion. 
-Total System L/R Channel Separation: >50 dB, 20 Hz – 15 kHz; 60 dB typical. 
-Polarity (Two-Band
 and Bypass Modes): Absolute polarity maintained. Positive-going signal 
on input will result in positive-going signal on output when HD 
--------Polarity and FM polarity controls are set to POSITIVE. 
-Processing
 Sample Rate: The 8600Si is a “multirate” system, using internal rates 
from 64 kHz to 512 kHz as appropriate for the processing being 
performed. Audio clippers operate at 256 kHz (and are anti-aliased), 
while the composite limiter operates at 512 kHz. 
-Peak Control at HD
 Output: The peak limiter is oversampled at 256 kHz, yielding a worst 
case overshoot of 0.4 dB at the analog output and for all output sample 
rates. (To achieve this performance at 32 kHz output sample rate, it is 
necessary to set the 8600Si’s HD lowpass filter cutoff frequency to 15 
kHz.)
-De-featable Analog FM Processing delay: 0.27 to 16.384 
seconds, adjustable in one- sample increments at 64 kHz sample rate to 
allow the delays of the analog and digital paths in the HD Radio system 
to be matched at the receiver output. 
Minimum Processing 
Delay: Processing structure dependent. Typically 17 ms for normal 
latency Five band, 13 ms for low-latency Five-band, 3.7 ms for 
ultra-low-latency Five- band, and 17 or 22 ms for two band, depending on
 crossover structure chosen. MX presets have approximately 270 ms delay.


















